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Meeting Report: 10th February 2025 – Ross Cockle – The Armstrong Studio & AAV Years

Members and guests of the AES Melbourne Section connected via Zoom to hear Ross Cockle recount his days at the Bill Armstrong and Armstrong AAV Studios in the seventies and eighties.

Following an introduction by Section Chair, Graeme Huon, Ross started by recounting how he had started at Armstrong Studios in Albert Road, South Melbourne in 1973 as part of the workforce needed for the transition to the new Armstrongs Studios in Bank Street.

A photo of Ross Cockle presenting via Zoom
Ross Cockle presenting via Zoom

This was just after they had taken delivery of the first Australian-built Optro 16-Track recorder. Ross joined as Armstrongs was bolstering staff numbers to handle the move into the “old butter factory” premises that Bill Armstrong had just purchased in Bank Street. He told of how he started as a “gofer” fetching cigarettes and “recording fluid” (alcohol) for the producers and engineers – not an issue at all in those days, despite being only 15-16 years old. We then got a rundown of the microphones being used at that time, lots of EV RE20s, Neumann U67s and some FET U47s, as well as a classic valve U47 that was kept for special sessions. He went on to tell us how he graduated to dubbing duties, where he had to make multiple copies of radio commercials for distribution to stations, and how recording radio commercials and jingles was the money-making enterprise that subsidised the music recording operation, and how jingles were being recorded during the day, and bands being recorded at night at a lower studio rate. He described the Ampex 351 and Rola 77 tape recorders used for dubbing.

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Meeting Notice: February 2025 – Ross Cockle on the The Armstrong Studio & AAV Years

We are back on Zoom for our February meeting

You can book via this link https://www.trybooking.com/CYMKO

The next online meeting of the AES Melbourne Section will be held on
Monday 10th February 2025 at 7:30pm AEDT (UTC+11) – via Zoom.

Long-term recording engineer and studio manager Ross Cockle will give us a journey through his early career 1972-1986:

The Armstrong Studio and AAV Years
Albert Road to Bank Street


Ross will take us through his time at Bill Armstrong’s Albert Road South Melbourne location as it expanded from 1972/3 into the multi-studio complex at 180 Bank Street South Melbourne. He rose through the ranks, from dogsbody to dubbing room, and assisting on sessions to eventually recording music of all styles and with some of the biggest bands, composer/arrangers and labels.

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A Celebration of our first 50 years

Join us for our 50th Anniversary Dinner

In December, the AES Melbourne Section will be celebrating the 50th anniversary of the formation of the Section.

We are hosting a 50th Anniversary Dinner at Club Ringwood on Monday 9th December at 7:30pm to mark this momentous occasion.

Tickets are available at https://www.trybooking.com/CWVVL
(bookings required – see below for prices)

In December 1974, encouraged by AES International V-P (Stephen Temmer, Gotham Audio NY) a group of Melbourne audio professionals – designers, manufacturers, recording engineers/producers, broadcasters, and equipment dealers, gathered together to form the Melbourne Section of the New York-based Audio Engineering Society.

Members and Officers of the AES Melbourne Section (1974)



The Section became a powerful force in the Melbourne audio industry, with many local pioneers first presenting their breakthrough technologies at the Section’s meetings and Conventions.






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Meeting Report: 1st October 2024 – Maton Guitars Tour and The Art of the Luthier

Members and guests of the Melbourne Section gathered at the Maton Guitars factory where Patrick Evans, Manager, Product Design, Development and Speciality Projects conducted a tour of their manufacturing facility and spoke to us on:

The Art of the Luthier.

Following an introduction by Section Chair Graeme Huon, Patrick gave us a brief rundown of the history of Maton. He related how founder Bill May and his brother Reg started making guitars in a single car garage in Thornbury in 1946.  In the late ‘40s they moved to a purpose-built factory in Surrey Hills, where they stayed for the remainder of Bill’s career. On Bill’s retirement in the mid ‘80s his daughter Linda and her husband Neville bought the business. Patrick related how Bill still kept coming into the factory after retirement, going downstairs to work on a double bass.

That double bass is still on display in the foyer of the current factory.

Patrick Evans, in the reception area of Maton Guitars, stands in front of a selection of Maton Guitars displayed behind glass
Patrick Evans introducing us to the Maton story
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