The next online meeting of the AES Melbourne Section will be held on
Monday 12th December 2022 at 8:30pm – via Zoom. Note later time
Leading US broadcast technologist, and AES TD1008 Document Working Group Chair John Kean will present on the topic of:
The next in-person meeting of the AES Melbourne Section will be held on
Monday 20th June 2022 at 7:30pm, in the SAE Institute Lecture Theatre, South Melbourne.
*Note – there will be NO live online element to this meeting.
of his DaS AuReality (Diffusion at Source) loudspeaker systems.
Joe invites everyone to bring along their favourite critical listening music (Audio CD format only) to exercise the system.
Continue reading “June 2022 Meeting Notice: DaS AuReality Demo”On Monday October 11th the AES Melbourne Section mounted another Zoom online meeting, due to Victoria’s continuing and now world record-breaking pandemic lockdown situation.
Over thirty members and guests joined the meeting to hear Inventor and Vastigo Ltd CTO, Joe Hayes speak on his DaS AuReality loudspeaker technology in a presentation entitled:
“From Stradivarius to Speaker – technology for improvements in sound delivery and room acoustics treatment”
The DaS AuReality system claims to reduce the impact of room acoustics for the listening experience and produce a listening experience free of sweet spot limitations by using an algorithm to create Diffusion at the Source (DaS))
The next online meeting of the AES Melbourne Section will be on Monday 11th October 2021 at 7:30pm (Australian Eastern Daylight Saving Time UTC+11).
Joe Hayes, Inventor and CTO of Vastigo Ltd will describe his DaS AuReality technology in a talk titled:
We are familiar with a well-designed concert hall having clarity of performance without hard echoes and a balanced enveloping sound field.
We seek to capture this in our recording and listening experiences but we often must put up with less-than-ideal acoustic environments.
What if the enveloping experience could be recreated directly from the loudspeaker without the need for the concert hall? And what if the recreated sound field did not detract from the initially arriving direct sound but could actually mask and improve the inevitable echoes and reflections of the typical less than the ideal listening environment?
