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Meeting Report: November 2023 – David Lauritsen on Game Sound Design

On Monday 13th November, the Melbourne Section of the AES held our (slightly delayed) bi-monthly meeting.

Game Sound Designer/Educator/Musician David Lauritsen presented on the topic of:

Video Game Sound Design and Curriculum Development:

Developing the Skills for a Growing Field


After a brief introduction from Section Chairman Graeme Huon, David started his presentation by outlining his history as a musician and developing an interest in audio engineering, leading to his study for a Bachelor of Audio Engineering and a Masters of Creative Industries. He briefly covered his audio recording work at Coloursound and Black Pearl Studios, and film sound work, moving on to audio education at JMC Academy and ultimately into game sound design at Big Ant Studios (AFL23 and Cricket24)

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November 2023 Meeting Notice: Video Game Sound Design and Curriculum Development

We are going in-person yet again!

The next meeting of the AES Melbourne Section will be an in-person event to be held on Monday 13th November 2023 at 7:30pm at the Fairfield campus of the Melbourne Polytechnic (details below).

It will be live-streamed on our YouTube channel:
https://www.youtube.com/AESMelbourneSection

Game Sound Designer/Educator/Musician David Lauritsen will present on the topic of:

Video Game Sound Design and Curriculum Development:

Developing the Skills for a Growing Field

Continue reading “November 2023 Meeting Notice: Video Game Sound Design and Curriculum Development”

Meeting Report: August 2023 – Ben Osmo on Film Location Sound Mixing

On Monday 14th August, the Melbourne Section of the AES held our Annual General Meeting followed by our regular bi-monthly meeting.

Further details on the AGM proceedings can be found at https://aesmelbourne.org.au/2023-agm

Following the AGM, Academy Award winner Ben Osmo (Best Achievement in Sound Mixing 2015 – Mad Max: Fury Road) presented on the topic of:

Film Production Sound Through the Years
             changes and added responsibilities.

Newly re-elected Chairman Graeme Huon introduced Ben with a brief outline of Ben’s career.

Ben Osmo in front of his "sound cart"
Ben Osmo in front of his “sound cart”

Ben then took us through his career in location sound production from his start in 1975 at the ABC. He told us that the typical setup of the time was a Nagra portable battery-operated tape recorder and a shotgun microphone on a long boom pole. He explained that the shoots were often one-camera affairs with shots framed as wide-shot, mid-shot, and close-up with the microphone positioned accordingly to achieve the appropriate sound balance.

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