August 2023 Meeting Notice: Film Production Sound Through the Years

2023/07/232023/07/23Paolo Menolotto

We are back on Zoom for our August meeting

The next online meeting of the AES Melbourne Section will be held on
Monday 14^th August 2023 at 7:30pm – via Zoom.

It will start with a brief Section Annual General Meeting – non-members and other visitors are welcome to sit in on this part of the meeting.

Then Academy Award winner Ben Osmo (Best Achievement in Sound Mixing 2015 – Mad Max: Fury Road) will present on the topic of:

Film Production Sound Through the Years

changes and added responsibilities.

When Ben started his long and illustrious career in film location sound in the 1970s, capturing location dialogue and effects required little more than a Nagra tape recorder and a shotgun mic on a boom-pole. With advances in technology, the kit a location sound mixer now has to deploy on set can fill a medium-sized van and cover not only multi-channel wireless dialogue/fx capture and recording, but also communications, playback, and monitoring for the entire crew.

Meeting Report: June 2023 – Alex Stinson on Modern Classical Music Production

2023/06/242023/06/27Paolo Menolotto

On Monday 19^th June, the Melbourne Section of the AES held our regular bi-monthly meeting.

It was another in-person event held at ABC Melbourne’s Southbank Studios.

Alex Stinson, a senior ABC Classical Music Producer, Recording Engineer and Editor welcomed a capacity group of twenty members and guests for a short tour of the venue’s music facilities, starting at the main orchestral recording space, the Iwaki Auditorium (Studio 355), moving through the other production facilities and recording spaces, and ending up at Studio 356, where he presented to us on the topic of:

Modern Classical Music Production

Techniques, challenges, and workflow

Photo of Alex Stinson in the Iwaki Auditorium — Alex describes the process of recording in the Iwaki Auditorium – Photo Rod Staples

Alex described their approach to classical music recording, starting with a description of the process of orchestral recording, and then moving on to recording smaller ensembles, duets and solo pieces.

June 2023 Meeting Notice: Modern Classical Music Production

2023/05/272023/05/31Paolo Menolotto

We are going in-person again – and also on-site!

The next meeting of the AES Melbourne Section will be an in-person event to be held on Monday 19^th June 2023 at 7:30pm at the ABC Southbank radio studios.

Alex Stinson, ABC Classical Music Producer, Recording Engineer, and Editor will present on the topic of:

Modern Classical Music Production

Techniques, challenges & workflow

After a brief tour of the ABC Radio studios, Alex will give us a presentation covering his work and career. Topics covered will include

Recording acoustic music from solo instruments to large orchestras
Microphone & mixing techniques
Logistics of running orchestral sessions & recording on location
Post-production techniques
Recording for immersive formats

Meeting Report: April 2023 – Scott Stickland on Collaborative Online Audio Mixing in the Box with DCF

2023/05/012023/05/02Paolo Menolotto

On Monday 24^th April, the Melbourne Section of the AES held our regular bi-monthly meeting.

It was a return to an in-person event at Collarts Wellington St (Collingwood) campus, that was also live-streamed on YouTube.

We welcomed about a dozen members and guests in the Collarts Critical Listening Room and another 7 who watched the live stream to the end.

Audio Engineer and Educator/Musician Scott Stickland presented on the topic of:

Collaborative Online Audio Mixing in the Box:

Presenting a case for the DAW Collaboration Framework

Chairman Graeme Huon introduced Scott with a brief description Scott’s work on the DAW Collaboration Framework (DCF).

Scoot presenting to the group — Scott Stickland – photo Rodney Staples

Scott started by acknowledging and describing the chronology of earlier online audio collaboration technology, starting with ResRocketSurfer (1996)/Rocket Network (1999), JACK/JACKTrip, Source-Connect, Steinberg’s VST Connect Pro and VST Transit/Transit Join/Transit Go, Splice Studio, and then the push for direct streaming into the DaaAW with products like Soundwhale, Sessionwire, ConnectionOpen and Listento and the growth in web-based DAW collaboration platforms, where he commented that web audio is not at the stage of development where they can be used for professional applications.